Music is always an ideal platform for bringing people together, and it goes without saying that there are few other art forms that lend themselves to connectivity in the way that music can. Brooklyn Bowl hosted Pushmethod’s Hoodies for the Homeless music initiative on July 21st, giving guests the opportunity to make a small but critical contribution.
All were encouraged to donate as many hoodies as they were willing to part with and several tables were already stacked high with them when I arrived. While making my donation, a volunteer startled me when she chirped “thank you!” walking by with a sense of purpose, she gently squeezed my shoulder and I took a moment to be thoroughly bummed about my withdrawn and cagey New York disposition.
Frontman of Pushmethod Tavis Sage Eaton, conceived the idea out of his desire to improve the daunting environmental challenges faced by the homeless. With the support of artists like NoMBe, David Correy and the night’s headliner, Mother Mother, the show was fun and rewarding for all involved. Pushmethod impresses upon first listen with reggae rock and hip-hop soundscapes. Reminiscent to 311, Pushmethod make for an unlikely and intriguing collective. The most notable moment of the evening was when David Correy joined the band on stage with penetrating vocals and unmistakable range, he sounded even more impressive in person.
By the time five-piece Canadian band, Mother Mother took the stage, the floor had opened up, save for scattered groups of diehard fans. Regardless, Mother Mother put on a memorably energetic set and have a clear mastery of harmony, which stylistically, sounded eerily similar to that of Gwen Stefani.
Between the bar, restaurant, bowling allies and live music, Brooklyn Bowl is hands down, one of the most lively and entertaining venues in New York, more importantly, it embraces initiatives such as this, to help us have fun and empathy while contributing to a necessary cause.
Article: Lea Weatherby
Photos: Chrissy Lush