When I walked into the Music Hall of Williamsburg Friday night, I knew what I was in for. A veteran of Gardens & Villa shows, it was not my first time as an excited crowd-goer, and I had the pleasure of meeting them during an interview at last years Outside Lands in San Francisco. I share a common tie with the band as we have all considered Santa Barbara, CA our home at one point in our lives. Needless to say, I was on the edge of my seat knowing I would see yet another fabulous show from the four-piece indie rock band.
It was my first time at the venue, so being a little anxious while I waited by myself for the band to start, I sipped on a whiskey ginger, or two. “It’s really great to be in New York,” said frontman Chris Lynch, as the band walked out on stage. The crowd was a bit scattered but still rowdy, one guy in particular screaming “DRINK YOUR BEER” as Lynch cracked one open. Others, called out funny high-pitched noises. Lynch responded, “I like that little monkey call whoever that was…that was really cute,” before the band began playing what is arguably their most popular song “Black Hills.” I love the feeling when an entire room knows every word and note to a song, especially when you can tell the band still loves it no matter how many times they’ve played it. Drummer Dustin Ineman playfully but aggressively mouthed the words throughout the song.
The whole evening had this dreamy 70s school dance vibe to it thanks to the classic blue curtain backdrop behind the stage. “I promised I wasn’t going to make any pope jokes tonight but…” said Lynch, after making a somewhat random albeit timely pope joke. When Lynch brought out his famed flute, we all continued dancing without a care in the world, and the men of Gardens & Villa proceeded to encourage us with an enticing and passionate set.
“This is our last song…the pope is up next,” claimed Lynch, only to return for a truly refreshing encore consisting of a cover of The Kinks “Waterloo Sunset” and closing on another flute-heavy song “Orange Blossom” from their first album. Fans, or more specifically, that yelling-man, continued to shout things like “SANTA BARBARA” and “DON’T PUT AWAY THE FLUTE” right through to the end of the set. I wouldn’t have it any other way.
Article: Mor Weizman