ALBUM REVIEW: WILD YAKS LIVE AT RIPPERS
The wonderfully named Wild Yaks have a live album coming out on July 16th through a joint effort between Open Ocean and the Ernest…
Album review
ALBUM REVIEW: ‘TYPHOONS’ BY ROYAL BLOOD
What always struck me odd about the two-person band, and by two-person band I don’t mean Hall & Oates where they have five other…
ALBUM REVIEW: ‘IN ANOTHER WORLD’ BY CHEAP TRICK
Cheap Trick has just released their new CD In Another World on April 9th. For some odd reason, the vinyl of said CD does…
ALBUM REVIEW: ‘MCCARTNEY III IMAGINED’
On December 18 of 2020 Paul McCartney released his third of a trilogy of solo records that started back with Paul’s first post Beatle…
ALBUM REVIEW: THE LIVING 1982
I don’t want this to be a Duff McKagan centric piece, but be honest, he’s easily the most famous member of The Living, a…
DREAMY INDIE FOLK: THE COPPER TREES’ DEBUT LP ‘RÊVER’
From afar, the universe of Kate Neckel and Eric Lilavois seems to share the magic of Andy Warhol’s 1960s NYC loft (“The Factory”) and…
NIGHT PALM’S 1ST EP: AN ENTHRALLING ART ROCK TRIP
There’s not enough mind-bending beat-driven art rock out there, for our taste, so when we come across a unique proggy project like Night Palm,…
3RD WALKING PAPERS LP ‘THE LIGHT BELOW’: THE DEEP CINEMATIC ROCK WE CRAVE
Walking Papers’ Jeff Angell, Benjamin Anderson, Will Andrews, and Gregor Lothian have brought us a powerful rush of dark rock with new album The…
IDLES KILL THEM WITH KINDNESS IN COMPELLING 3RD LP ‘ULTRA MONO’
It’s no easy task to follow up two records as strong and Brutalism and Joy as an Act of Resistance. Even with the bar…
WELLES’ ‘JOE DIRT COBAIN’ EP IS A HEAVY, GUITAR-POWERED TRIP
The catchy EPs that Welles has been building solo at home and quietly releasing for free (three now since April) have been major bright…