WILCO SCHMILCO – AN ALBUM REVIEW
Schmilco is easily listenable. Like its predecessor Star Wars, it is short, fitting with room on one standard LP. (For reference, A.M. and Wilco(The…
Album review
ALBUM REVIEW: ‘FOOL’ BY PINK MEXICO
Pink Mexico is a three-piece band full of grungy-looking dudes who care a lot about their music. The band is fronted by Robert Preston…
ALBUM REVIEW: ‘KILL YOUR MEMORY’ BY HEAVEN FOR REAL
With warm guitar driven melodies, a razor sharp bass, splashes of electronic effects and drums that pop like a balloon, Heaven For Real’s debut…
FUTURE LOVER CHANNELS 60’S PSYCH ON DEBUT LP ‘SUMMONING’
“TV boy, he laughs and sways and longs to smash your crystal crown.” It’s lyrics like these that make you miss a certain era,…
ALBUM REVIEW: ‘RED EARTH & POURING RAIN’ BY BEAR’S DEN
Red Earth & Pouring Rain, the latest from UK’s folk-rock duo Bear’s Den, is set to be released this Friday, July 22 via Communion….
PIANO MAN: A LOOK AT ALEXIS TAYLOR’S “PIANOS”
When Alexis Taylor, member of British Synth-Pop band Hot Chip, releases an album called Pianos, and it’s just him and a piano singing sugary…
BEFORE THE TAKING OF A TOAST AND TEA: MY MORNING JACKET REMIX AND REMASTER “IT STILL MOVES”
Of all the shocking tracks on Bob Dylan’s 1970 release, Self Portrait, none may be so bold as the reimagining of his classic “Like…
ALBUM REVIEW: “MOON SON” BY THE LAWSUITS
When it comes to The Lawsuits, pieces of various styles have always mixed and mingled, perhaps because they know that there’s really only two…
FROM LOVE’S DEEP SLUMBER: A LOOK AT RADIOHEAD’S “A MOON SHAPED POOL”
The first major exhibition after re-opening the former Whitney Museum as the Met Breuer was a collection of works that weren’t done. “Unfinished: Thoughts…
KING GIZZARD AND THE LIZARD WIZARD’S NEW ALBUM IS LITERALLY AN ENDLESS TRIP
A nine-pointed prism howls at you from an acidic orange sunset, burning like a subliminal message that doesn’t disappear fast enough. Your eyes bounce…